TRISK PRESENTS 2025 ARTIST-IN-RESIDENCE JOY-MARIE THOMPSON
For Immediate Release
MAY 20, 2025
BROOKLYN, NY -- Triskelion Arts is honored to present Farewell My Fool, a dance theater/performance art piece featuring JoyBoy da Clown and performed and created by Joy-Marie Thompson. The performance will premiere at Trisk, June 12-14 at 8PM each night. Farewell My Fool utilizes clowning and humor to interrogate the legacy of exploitation in performance, the failures of ambition, respectability politics, and self-realization. This immersive performance relies on audience participation to drive forward a narrative that advocates for performance worker's autonomy and respect.
Farewell my fool.
Your time has come.
Starry eyed dreams die
When we're young.
Joy-Marie Thompson is the 2025 Trisk Artist-in-Residence; in which they received 150 studio hours over six months, dedicating extensive time to explore, experiment, and delve deep into their artistic vision. Throughout the residency, Thompson received support from the Trisk technical, administrative, and marketing teams, ensuring the creative process is nurtured and amplified, with this presentation of Farewell My Fool as the culmination of the program. The Trisk Artist-in-Residence programming is made possible through the generous support of the Rockefeller Brothers Fund.
RUNTIME: Approximately 60 minutes.
Portions of this performance contain partial nudity.
TICKETS
EARLY BIRD:
$50 🌟 SUPPORTER / $30 SUPERFAN / $22 EARLY BIRD / $17 HEARTS
AT-THE-DOOR:
50 🌟 SUPPORTER / $30 SUPERFAN / $26 AT-THE-DOOR / $17 HEARTS
What's Behind Our Ticketing Tiers?
We are thrilled to launch our new tiered ticketing, crafted to prioritize maximum compensation for our incredible artists, fair wages for our production team, and inclusive ticket prices for all our performances. This structure also addresses the financial challenges of producing live performances in NYC by aligning ticket costs more closely with the actual, unsubsidized value of each seat. Our ticket options now range from $17 to $50. We recognize that systemic inequities create barriers to the arts. The $17 HEARTS tier is offered in the spirit of community care and is open to those who need it. Regardless of the ticket price, every attendee will enjoy the same magical experience.
Triskelion Arts, lovingly referred to as Trisk, is a nonprofit organization, live performance venue, and rehearsal space in Greenpoint, Brooklyn, offering NYC-based dance and movement artists high-quality, sustainable opportunities to create and present work. Trisk partners with artists creating trailblazing work that broadens the cultural dialogue and elevates its community’s many voices and perspectives. Trisk is a home for artists and audiences to connect, to make art happen, to make magic. Trisk presents artists practicing, crafting, mining, experimenting, speaking up, and speaking out.
Trisk is made possible with generous support from our funders: The Howard Gilman Foundation, Rockefeller Brothers Fund, NYS Assembly Member Emily Gallagher, NYC Council Member Lincoln Restler, New York State Council on the Arts, NYC Department of Cultural Affairs, Mertz Gilmore Foundation, Harkness Foundation For Dance and Emma Sheafer Charitable Trust.
www.triskelionarts.org/spring-performances-2025/joy-marie-thompson
triskelionarts.org
Triskelion Arts
106 Calyer Street, Brooklyn, NY 11222
Enter on Banker Street
MEDIA RELATIONS CONTACT:
Miriam Rose
miriam@triskelionarts.org
ABOUT THE ARTISTS
JOY-MARIE THOMPSON is a performing artist, writer, educator and pilates instructor from Pittsburgh, PA. As a performer, they have worked with choreographers such as Sidra Bell, Staycee Pearl, Shamel Pitts, Stephanie Batten Bland, Maxine Doyle, and Damani Pompey. They have appeared in The Mckittrick Hotel’s Sleep No More, at The Public Theater for Erika Dickerson-Despenza’s shadow/land, The Metropolitan Opera’s El Niño and Aida and Geoff Sobelle’s HOME. Their commercial credits include performing in music videos for Chloe Flower and The Kills. Their alter ego, JOYBOY has performed dance comedy shows throughout New York City and Brooklyn, NY. There own work has been presented at: PearlDiving Movement Residency, Derida Dance Centre, Festival PRISMA, Movement Research/Judson Church, and the Dance on Camera and Film at the Lincoln Center. As an educator, Joy-Marie is an adjunct lecturer at SUNY Purchase’s Conservatory of Dance; teaching improvisation and contemporary dance. Their writing has been published by thINKingDANCE and Imagining: A Gibney Journal.
CHRISTIAN A. WARNER (Director) is an interdisciplinary performing artist, choreographer, and director. His choreography and direction has been commissioned by Triskelion Arts, Owen/Cox Dance Group, Trevor Jackson, McKoy Dance Project, Ballet Co-Laboratory, and the BlackLight Summit curated by Tariq O'Meally. As a performer, Christian’s dance company credits include Boca Tuya, NVA & Guests, Sidra Bell Dance New York, TU Dance, Owen/Cox Dance Group, Ponybox Dance Theatre and Deeply Rooted Dance Theatre. He has performed repertoire from creators Alvin Ailey, Bryan Arias, Alan Lucien Øyen, Kayla Farrish, Aszure Barton, Darius Barnes, Yoshito Sakuraba, Rena Butler, Stefanie Batten-Bland, and Slowdanger. Most recently, Christian was the recipient of a Heinz Creative Development Award with Attack Theatre. You can follow him at christianwarner.com and Instagram @itschristianalexander.
OWEN LAHEEN (Producer Voiceover) is an actor from Wicklow, Ireland. Their most recent credits include Drip Feed (wild project), Henry IV (TFANA), Translations (Irish Repertory Theatre, Lucille Lortel Award Winner for Outstanding Revival), The Wolves (McCarter Theater), Belfast Girls (Irish Rep). Screen: Mutt (Sundance 2023, Berlinale 2023); City On A Hill (Showtime). They have devised and developed new work in collaboration with LaMaMa Etc, Clubbed Thumb, Mercury Store, and others. They trained at UNCSA, BADA, and received a BFA from SUNY Purchase. You can find them on Instagram @owenLaheen.
ELLA JOSEPHINE JULIA MOORE (Composer and Sound Engineer) otherwise known as Cleo Reed is a multi-disciplinary artist whose practice uses participatory art, music composition, instrument-making, bandleading, installation and fabric arts. Under the alias Cleo Reed, they complete musical projects that are rooted in their ancestral & cultural lineage. In their practice, they are currently drawn to notions of tradition, dissolving the binary, making noise, and breaking the barrier between artist and audience. Cleo is a recipient of the 2024 Map Fund and currently a resident at Abrons Arts Center’s 2024-2026 AIRspace Performance Residency.
EMILY HARMSE (Costume Supervisor) is a local wig designer and costume professional who has been working in the industry for a decade. With an expertise in immersive theater and events, they have a wide arranged portfolio. Some previous works include “Sleep No More” “Interview With A Vampire” and “Cult of Love.” They have been so excited to work with Joy Boy on “Farewell My Fool.” As a member of the LGBTQIA+ they practice ethical, intentional work that align with their beliefs and vision. This piece is important for see and has been a privilege to work on. You can find them at @emharmse.
JULI AND ALEX ABENE OF ABENE ATELIER (Costume Design and Styling) are New York based costume designers and stylists. They specialize in costumes for theater and live music & events but are also available for film, photoshoots, burlesque, or whatever idea you may have that needs to be brought to life.Clients include Jon Batiste, Disney Style, Punchdrunk International, AMC+, Amazon Prime Video, and more. You can find them on Instagram at @atelier.abene and atelier-abene.com.
CONNOR SALE is a Brooklyn-based Lighting Designer and the Resident Lighting Designer of Triskelion Arts. Recent collaborations include: The Suite; to begin with no end; ENUF; The Dybbuk Part Two (Triskelion Arts), Das Ersatz (The Brick), MEOW! (Exponential Festival), This is How We Remember (Triskelion Arts, Philly Fringe), But, Soft and What Light (PAGEANT), the body || dust (Gibney), and Sea Change (Museum of Contemporary Art Chicago). He tours internationally with Akram Khan’s Gigenis and with the production of Pina Bausch’s The Rite of Spring that Sadler's Wells and École des Sables are producing. He’s interested in using the temporary nature of light to make people more active in space. More of his work can be found at connorsale.com and at @connorsalelight
ANNA WOTRING is a community-minded dance artist, designer, and production stage manager, dedicated to the practice of collaborative leadership. As the Director of Production at Triskelion Arts, Wotring shapes programming that makes production design accessible to movement artists, whether they're starting to explore an idea or deep in research. Trisk serves as a home, allowing artists to materialize their production vision and find imaginative pathways around and through tangible possibility. Wotring holds a Bachelor of Fine Arts in Dance from the Five College Dance Department in Western Massachusetts. She has had the privilege of working with a wide range of dance artists and organizations, including Alvin Ailey Studios, Annie Heath, Attack Theater, Ballet Des Ameriques, BalletNext, Bill T. Jones/Arnie Zane Company, the Dance Conservatory of Pittsburgh, Dance Place, H2O Contemporary Dance, Jennifer Nugent, Lauren Horn, Monica Bill Barnes & Company, New York Live Arts, the Pillow Project, Prayers of the People, RoseAnne Spradlin, Scapegoat Garden, slowdanger, Time Lapse Dance, and many others. Wotring is deeply grateful and honored to be working, imagining, and making magic with the Trisk team and community.