KASHIA KANCEY’S THE CLOSTIES VARIETY HOUR RETURNS TO TRISK
For Immediate Release
DECEMBER 11, 2025
BROOKLYN, NY -- Triskelion Arts is honored to co-present with Live Artery | New York Live Arts, Kashia Kancey’s The Closties Variety Hour. The performances will run January 11 at 2PM and 7:30PM, and January 12 at 7:30PM, with all performances at the Trisk Theater in Greenpoint, Brooklyn.
The Closties Variety Hour is a multi-disciplinary production that follows four friends as they showcase their lives in the form of a televised variety show. This work serves as a journal entry written in hot pink gel pen as the cast transform into their deepest desires, allowing viewers into an expansive world of dreaming while reflecting on shared memories and interests they hold closely. Delving into themes of friendship, childlike wonder, self-indulgence, and radical black joy, these friends embody and immerse themselves inside an experimental landscape filled with transcendence, discovery, and pleasure. The Closties Variety Hour is an extravagant evening that morphs realities and invites audiences into the souls of the characters, experiencing the way they all relate to themselves and one another. This work explores the many ways we can and do exist as individuals and the importance of community, while also celebrating our complex and multi-faceted natures.
The Closties Variety Hour is choreographed by Kashia Kancey, and features performances by by Kashia Kancey, Chance Williams, Khandis Merritt, Morgan Gregory, Alondra Balbuena, Cristina Moya-Palacios, Kyla Thomas, Lakeria Robinson and Nayah Merisier. The lighting design is by Connor Sale. The Closties Variety Hour originally premiered at Triskelion Arts in March 2025 as the culmination of Kancey’s year long residency as the 2025 Trisk Fellow.
Tickets are available online, and at the box office 30 minutes before curtain.
TICKETS
EARLY BIRD:
$50 🌟 SUPPORTER / $30 SUPERFAN / $22 EARLY BIRD / $17 HEARTS
AT-THE-DOOR:
50 🌟 SUPPORTER / $30 SUPERFAN / $26 AT-THE-DOOR / $17 HEARTS
What's Behind Our Ticketing Tiers?
We are thrilled to launch our new tiered ticketing, crafted to prioritize maximum compensation for our incredible artists, fair wages for our production team, and inclusive ticket prices for all our performances. This structure also addresses the financial challenges of producing live performances in NYC by aligning ticket costs more closely with the actual, unsubsidized value of each seat. Our ticket options now range from $17 to $50. We recognize that systemic inequities create barriers to the arts. The $17 HEARTS tier is offered in the spirit of community care and is open to those who need it. Regardless of the ticket price, every attendee will enjoy the same magical experience.
NEW YORK LIVE ARTS
The dynamic Live Artery festival at New York Live Arts is one of NYC's most attended dance-specific platforms during the annual presenter conference season, featuring resident commissioned artists and curated guests. New York Live Arts, guided by the leadership of visionary artist Bill T. Jones, collaborates with boundary pushing artists, advocates for their vision, and fortifies a creative future.
TRISKELION ARTS, lovingly referred to as Trisk, is a nonprofit organization, live performance venue, and rehearsal space in Greenpoint, Brooklyn, offering NYC-based dance and movement artists high-quality, sustainable opportunities to create and present work. Trisk partners with artists creating trailblazing work that broadens the cultural dialogue and elevates its community’s many voices and perspectives. Trisk is a home for artists and audiences to connect, to make art happen, to make magic. Trisk presents artists practicing, crafting, mining, experimenting, speaking up, and speaking out.
Trisk is made possible with generous support from our funders: The Howard Gilman Foundation, Rockefeller Brothers Fund, NYS Assembly Member Emily Gallagher, NYC Council Member Lincoln Restler, New York State Council on the Arts, NYC Department of Cultural Affairs, Mertz Gilmore Foundation, Harkness Foundation For Dance and Emma Sheafer Charitable Trust.
www.triskelionarts.org/kashia-kancey-the-closties-variety-hour
triskelionarts.org
Triskelion Arts
106 Calyer Street, Brooklyn, NY 11222
Enter on Banker Street
MEDIA RELATIONS CONTACT:
Miriam Rose
miriam@triskelionarts.org
ABOUT THE ARTISTS
KASHIA KANCEY
Kashia Kancey is a Miami-born performer and choreographer, who earned her BFA in Dance from New World School of the Arts. As a performer, Kashia has had the pleasure of working with Rosie Herrera Dance Theatre, Adele Myers and Dancers, and Abby Z and the New Utility, David Dorfman Dance, and Urban Bush Women. She has also worked with artists like Donna Uchizono, Tendayi Kuumba, and Annie-B Parson, Symara Sarai, and Cristina Moya-Palacios. Her choreographic history begins in Miami by making work on herself and the Peter London Global Dance Company. Since moving to NYC, she has had work presented in spaces like CreateART Performance, Triskelion Arts and Movement Research at Judson Church. Kashia is grateful to have been a recipient of residencies at Baryshnikov Arts Center(2024), Triskelion Arts Fellowship (2025), and the Fresh Tracks Residency at New York Live Arts (2025). Kashia is based in Brooklyn, NY.
CHANNCE WILLIAMS
Channce is a freelance artist living in New York, born and raised in St. Louis, Missouri. He is interested in exploring ways of presenting narratives regarding memory, longing, and the accumulation of self via experience. His practice encompasses various elements of performance, poetry, and visual media. He began his training at the Center of Creative Arts and continued his studies at Point Park University, where he received his BFA in Dance in 2020. Throughout his endeavors he has performed both new and restaged works by Kyle Abraham, Hannah Garner, Sidra Bell, Martha Nichols, Aszure Barton, and Maxine Doyle, among others. Since graduating he has worked with GroundWorks DanceTheater, Sidra Bell Dance New York, and GALLIM Dance Company, along with a cohort of independent choreographers including Slowdanger, Jaka Pearl Porter, and Demetris Charalambous.
KHANDIS MERRITT
Khandis is a writer and performer based in Brooklyn, NY. She is grateful to be creating and performing with her best friends.
MORGAN GREGORY
Morgan Gregory (b. Richmond, Virginia) is a transdisciplinary performer/choreographer/… who focuses on reimagining Afro-diasporic imagery through a futurist lens. In her choreographic and performance work development, she constantly explores ancestral importance, and in this continuous effort of understanding, she dreams within intersectional identities. Morgan is a graduate of the Ailey/Fordham BFA program and was honored as a Denise Jefferson Memorial Scholar, majoring in African and African American Studies and Dance. Morgan has toured with Julien Creuzet/Ana Pi on a multi-disciplinary project, Algorithm Ocean True Blood Moves, to the Dakar Biennale, National Opera & Ballet, Brown University, and Performa Biennale. In 2024, she was named a recipient of the LiftOff Residency with New Dance Alliance, a fellow with The Performance Project-University Settlement, and a BAX Space Residency Grantee. She has premiered performances at Mark Morris, Triskelion Arts, Movement Research at Judson Church, Arts on Site, University Settlement, and more, all of which range from proscenium-situated to community-centered cyphers and video installations.
CRISTINA MOYA-PALACIOS
Cristina Moya-Palacios is a Venezuelan-born, Miami-raised artist with a BFA from New World School of the Arts. She’s had the pleasure of working with Adele Myers and Dancers, Rosie Herrera Dance Theatre, and Jamar Roberts. Upon moving to Brooklyn, she’s taken on more collaborative roles with peers and is currently with Company [REDACTED], Skyla Schreter Dance, and most recently RudduR Dance. Beyond performing, Cristina enjoys crafting sonic scores for fellow artists and choreographing her own works.
JOHNNY MATHEWS III
Johnny Mathews III (he/they) is a Brooklyn-based dancer and choreographer from Madison, Wisconsin. Johnny is a company member with Valerie Green/Dance Entropy, Daniel Gwirtzman Dance Company, and KAŌS Dance Collective. Johnny is a 2026 CPR Artist-in-Residence and has been in residence at The Residency Project @ 280 in Pasadena, CA, and the Digging In Group Residency at Green Space in Queens, NY. He holds a BFA in Dance from the University of Michigan – Ann Arbor.
ALONDRA BALBUENA
Alondra Balbuena, born in New York City raised in Miami, Florida is a freelance dance artist working to deepen her understanding of human connection through performance based movement. Currently she is based in Brooklyn, NY.
KYLA THOMAS
Kyla Thomas is Brooklyn-based performer and movement director. Originally from Miami, she graduated with her BFA from New World School of the Arts. While in Miami, Kyla has performed works of choreographers such as Robert Battle, Laura Murphy, Kashia Kancey and others. Spaces she has moved in include the Perez Art Museum, Olympia Theatre and community-ran art galleries. She is currently working as a freelance performer, movement director and stylist. Some of her work includes companies such as Nike, Rebel Magazine, Kulfi, Timberland, and more. One of her active goals in her career has been to help continue to bridge the gap between the dance, fashion and film worlds.
LAKERIA ROBINSON
Lakeria Robinson, born and raised in Miami, Florida, is a BFA graduate student from New World School of the Arts College. She is trained in ballet, modern, Jazz and Afro dance techniques. Lakeria is an alumni of the School at Jacob’s Pillow Dunham Legacy and Afro Latin intensives. Having been a part of programs like Archcore40 and the Overtown Youth Center, she is also well versed in commercial styles like Hip Hop, Jazz Funk and Musical Theater. Lakeria has had the opportunity to perform works by Tina Santos, Robert Battle, Ronald K. Brown, Darshan Singh Bhuller, and several others who influence her creative process today.
NAYAH MERISIER
Nayah Merisier is a Haitian-American Dance Artist from South Florida with a BFA from New World School of the Arts (NWSA). She continued her training with the Alvin Ailey American Dance Theatre School, Jacobs’ Pillow Dance Festival, and the Joffrey Ballet School. Aside from her own choreographic experience, she is trained ballet, jazz, contemporary, west African, Afro-Caribbean, and commercial dance styles. Nayah strives to provide representation and inspiration for young artists of color, and shed light on the Haitian American experience through dance.
CONNOR SALE
Connor Sale is a Brooklyn-based Lighting Designer and the Resident Lighting Designer of Triskelion Arts. Recent collaborations include: til infiniti, Farewell My Fool, The Closties Variety Hour; The Suite; to begin with no end; ENUF (Triskelion Arts), The Missing Fruit, Part 1 (New York City Center/Fall For Dance), Das Ersatz (The Brick), Das Rauschgift (Box of Moonlight), MEOW! (Exponential Festival), With Tears (BEAMS), Femenine (PS21), the body || dust (Gibney), But, Soft (PAGEANT), and Sea Change (Museum of Contemporary Art Chicago). He’s toured internationally with Pina Bausch’s The Rite of Spring (École des Sables/Sadler’s Wells co-production), Akram Khan’s Gigenis, and Faye Driscoll’s Weathering. He’s interested in using the temporary nature of light to make people more active in space. More of his work can be found at connorsale.com and at @connorsalelight