‘Crip Notation: Documenting Disabled Artistic Process’ is a multimodal project which uses dance, textile installation, (anti)language, and etymology as pathways to explore Disabled artmaking. August is interested in the disabled dancers' relationships to language, notation, interview, and the camera. They seek to identify ways that dance systems and institutions harm and outcast disabled artists, while celebrating the wisdom and innovation that exists in these margins. Employing the multisensory approaches and embodied knowledge of Disabled communities, August Honey is excited to embark on this process of longform writing, dance, textile art, and conversation.